Craft Talk

Our Top Ten for the Tillie Olsen Short Story Award 2018

Congratulations to the following authors for making the TOP TEN in the 2018 Tillie Olsen Short Story Award! One of these semi-finalists will be named the winner.

  1. Earth by Vanessa Garcia
  2. The Valley of Death by Jeannette Garrett
  3. Kitty Love by Ann Kammerer
  4. With the Sparrow by Mimi Kawahara
  5. night out by Kay Lin
  6. A Matter of Rocks by Judith McKenzie
  7. A set of distances by Rachael Mead
  8. Attention by Marianne Rogoff
  9. An Altar of Skins by Jeremy Schnotala
  10. Rehabilitation by Julie Zuckerman

 

Tillie Olsen Short Story Award 2018 Top Twenty Semi-Finalists

Congratulations to the following authors for being one of twenty semi-finalists for this year’s Tillie Olsen Short Story Award contest. The Tishman Review received over 275 entries, so making it to the Top Twenty is no small accomplishment. Some of these stories will move on to the Top Ten and one of these stories will be named the Winner. Stories are listed in alphabetical order of author surname. Stay tuned for more!

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  • Our Red Fish by Christopher Amato
  • Snow Rose Thick Where It Met the Ice by Corey Campbell
  • You’re Here Now by Lisa Cupolo
  • Outrageous Fortune by Dwight Curtis
  • The Marchioness by Corey Flintoff
  • Earth by Vanessa Garcia
  • The Valley of Death by Jeannette Garrett
  • Panic by Pamela Hartmann
  • Kitty Love by Ann Kammerer
  • With the Sparrow by Mimi Kawahara
  • night out by Kay Lin
  • El Tigre by Susan Lowell
  • A Matter of Rocks by Judith McKenzie
  • A set of distances by Rachael Mead
  • The Zeru by James Musgrave
  • Tin’s Story by Wendy Riley
  • Attention by Marianne Rogoff
  • An Altar of Skins by Jeremy Schnotala
  • Weekly Maintenance by Sonal Sher
  • Rehabilitation by Julie Zuckerman

 

A Review of Heather Dobbins’s “River Mouth”

by Elijah Burrell

In the “Notes” section near the back of River Mouth (Kelsay Books, 2017), Heather Dobbins’s newest book of poems, she admits she is “no historian.” She goes on to say, “[I] surely got some things wrong for the music of poetry.” The poems in River Mouth move with astonishing speed from one singular voice to the next. These are the voices of those who populated the Mississippi Delta from 1880–1930, whose history and river culture have all but vanished. These poems speak from the minds and mouths of Dobbins’s deckhands, river pilots, shanty preachers, and sharecroppers. The poems communicate desire, loss and hurt, and preternatural music in a way that never feels less than caring and genuine. These are lives off-the-record, long lost but striking.

Dobbins calls forth authentic diction from the period and the people. It feels unfeigned and unforced. In some cases, readers might have to read a line several times just to get at what the speaker is saying, but that is only because it feels so natural. It is as if Dobbins had piloted those boats, walked those sandbars, and worked the levee camps herself. The poems are terse and minimal, yet bursting with interesting language and an abundance of bygone phrases and idioms. In “River Mouth Blues,” the showboat piano man says:

 

When a song chooses me, my eyes get wet.

When I have one to play for, I can remember enough

to feel. Not hear the crowd, ruining pitch and harmony,

sidestepping into my shoulder. One who can shut up

his world for an evening, nevermind the talk

all around us. The one doesn’t let my glass get empty.

 

Dobbins’s speakers are irresistibly strange. Many of them are named in the titles of River Mouth’s five sections. These speakers—and the various characters in each section—assume the same traits as the river governing their lives. A river’s mouth is found where one river flows into another body of water. Such mouths are full of debris and sediment because of the constant turmoil and movement of the water. Like the water, River Mouth’s speakers must navigate their own inner detritus. In the fourth section, “The Alligator God and the River Ghosts,” Dobbins’s lines swing in all directions, surging left to right on the page, the spirits in the poems moving over the face of the waters. These forms provide implicit instructions on how we might read and understand the poems they construct. In “River Ghost Queens,” a poem that winds between the aforementioned swinging lines, couplets, and myriad other “regular” patterns, Dobbins writes:

 

Every body pours from a gutter,

goes somewhere she’s needed more—

a redirected mouth. I didn’t tell on him.

Only way to take river is in gulps.

 

At one point “In Three Days Time,” the sharecropper’s daughter tells the reader, “All life in the water trusts its home. / The river’s only promise is it will disobey.” The speakers in River Mouthunderstand this difficult truth, and they wander through these poems disillusioned and dazed. In “Don’t Tell Me,” the deckhand explains the river’s journey:

 

When you ask me how long she goes, I’ll teach

you again: The Great River opens in Minnesota,

smaller than my crew cabin. Wisconsin, Iowa, Illinois,

Missouri, Kentucky, and Tennessee.

The river is taken in by Arkansas, Mississippi,

until Louisiana, like fingers into gulf.

 

In “Six-day Eyes,” a poem of flowing anguish and misery, the sharecropper’s daughter teaches us about what she’s seen and made of loss:

 

Beauty has never, not once stayed.

If I have learned anything in fifteen years,

it’s that every mouth is shifting,

every one of you: another Mississippi, unsatisfied.

 

The body—most notably the mouth—is a theme in these poems. In this particular poem, a baby’s mouth drinks in its mother’s milk and cries as the mother who provided it walks away:

 

… Carried down, I dump your seven pounds

and three ounces, turn my back

to what cries out for a mother, count my steps

away from you.

 

In River Mouth, the Mississippi is call-and-response religion. It is provider and killer. The Mississippi is sex. Dobbins’s voices marry the spiritual with the erotic in surprising ways. In “Shantyfolk Dance Floor,” the shanty preacher’s daughter says, “A true river man knows / how to lean, to move with / and against.” Then, the following sestet communicates the glide of something deep and powerful—the sound of a “wet saxophone”—a step to the right and back to the left:”

 

I closed his eyes

with my lips.

Time to call.

Time to respond.

I was current

he could hold.

 

Heather Dobbins reanimates not only these many voices but the life of the old river too. In River Mouth, spirits from this long-ago place are rebirthed to bring forth their testimonies and give an account of their lives to the modern world. Dobbins wrote this book because she worried we are losing history. That is lucky for all of us, because she has found it.¨

Tillie Olsen Short Story Award 2018 Final Judge

The Tishman Review is pleased to announce the final judge of the 2018 Tillie Olsen Short Story Award is the award-winning author Tori Malcangio.

TORI

Tori Malcangio received her journalism degree from Arizona State University and her MFA from Bennington College. She lives with her family in San Diego where, besides writing fiction, she is also a freelance advertising copywriter. Stories are forthcoming or have appeared in: Glimmer Train, ZYZZYVA, The American Literary Review, The Chattahoochee Review, Mississippi Review, AGNI Online, Tampa Review, cream city review, River Styx, Ruminate, Passages North, and more. She is a winner of the William Van Dyke Short Story Prize, The American Literary Review Fiction Prize, and the Waasmode Short Fiction Prize. She was awarded a 2016 Writing by Writers Residency and has been nominated for a Pushcart Prize. She hopes to one day find the last line to her novel.

Submissions open February 1 to March 30, 2018

Our Nominations for The Best Small Fictions 2018

We at The Tishman Review are pleased to announce our 2018 nominees for The Best Small Fictions anthology. We believe each of these authors deserves the chance to be featured in this year’s anthology, and we’re excited about their chances!

Keep reading to check out their short fiction pieces and to learn more about these talented writers!

(Bonus: Each author graciously provided a piece of writing advice or information about their writing process, so anyone interested in how they write and work should definitely keep reading!)


“Fall, Environmental Politics, and the Retirement of Vin Scully” by Jack C. Buck | TTR 3.4

16105484_10100904616001168_1855705196812639948_nJack C. Buck lives and teaches in Denver, Colorado. He is the author of the flash fiction collection Deer Michigan. He thanks you for reading his work.    

 


What is one piece of advice you would offer to aspiring writers?
Find a friend who cares about your writing, somebody who roots for you. This will help in those times when it feels as if no one else but yourself is reading anything you’ve written. Although we often write for ourselves, it’s nice to know you have readership, even if it is small in number.
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“Creatures of the Antarctic, in Particular the Giant Sea Spider” by Justin Herrmann | TTR 3.3

Herrmann 3Justin Herrmann is the author of the short fiction collection Highway One, Antarctica (MadHat Press 2014). His stories have appeared in journals including River Styx, Mid-American Review, CutBank, and Fourth River. He has an MFA from University of Alaska Anchorage.

What is one piece of advice you would offer to aspiring writers?
Friends, I aspire to write better stories too. It’s hard work, writing. But keep putting time in. I will too. As far as advice I can offer (I believe this comes more from me paying attention as a reader than having skill as a writer): trust your reader. Hold back enough in your story to allow your reader to use her imagination. Trust her to catch the whispers that lurk just below the surface of your story. This will help her connect with your story, help your story work its way into her heart. 
Have a great year, friends. Write something beautiful. I can’t wait to read it. I believe in you. 
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“Francine Francis” by Joshua Jones | TTR 3.2

Josh JonesJoshua Jones lives in Maryland where he works as an animator. His writing has appeared or is forthcoming in Split Lip Magazine, SmokeLong Quarterly, Fanzine, Necessary FictionJuked, and elsewhere. Find him on Twitter @jnjoneswriter.


What is one piece of advice you would offer to aspiring writers?

While writing is by its nature a solitary endeavor, I’ve found having a writing community to be invaluable. Not only for celebrating successes and commiserating over the inevitable rejection letters, but for reading one another’s early drafts and pushing each of us to refine our craft. I’m grateful to have met (even if only online) some fantastic writers and amazing human beings.

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“What We See” by Denise Howard Long | TTR 3.1

Denise Howard LongDenise Howard Long’s short fiction has appeared in SmokeLong Quarterly, Pithead ChapelThe Evansville ReviewBlue Monday Review, and elsewhere. She has been awarded residencies at Hedgebrook and Dorland Mountain Arts Colony. Her flash fiction chapbook Spoil the Child is forthcoming from Finishing Line Press. Denise lives in Nebraska, with her husband and two sons. You can visit her online at www.denisehlong.com.

What is one piece of advice you would offer to aspiring writers?

One piece of advice I would offer to aspiring writers is to learn what works for you and embrace it. Writing as often as you can is advice that goes without saying, but that can look different for every writer. I used to be really hard on myself because I don’t have a consistent, daily writing routine, which is something I’d convinced myself I needed to be a “real” writer. But all that self-criticism did was wear me down and dampen my spirits. Recognizing what works for me and my life right now gave me the freedom to just embrace it for what it is, even if it’s a slapdash, inconsistent approach sometimes. As long as you keep writing—at whatever pace and rhythm is comfortable and successful for you—you’re a “real” writer (whatever that means).


“Community Service” by Matthew Woodman | TTR 3.3

Matthematthew woodman photow Woodman teaches writing at California State University, Bakersfield and is the founding editor of Rabid Oak. His stories appear in recent issues of OblongThe MothDrunk Monkeys, and Five:2:One, and more of his work can be found by visiting www.matthewwoodman.com or by following him on Twitter @rabidoak1.


What is your writing process like?

My writing process differs with each piece I write. Rarely, a piece will erupt fully-formed, and I manically, maniacally scribble down as much of the vision or idea as I can before it’s gone.  More commonly, I’ll have an idea, begin writing, and then when I have a draft find that those first few paragraphs or lines need to be cut in order to bring the piece into shape; that opening was a means to see the land but wasn’t the land itself.  For “Community Service,” the inspiration was a combination of seeing a work crew cleaning litter from the side of the road, reading about inmate firefighter crews, visiting The Wildlands Conservancy’s Wind Wolves preserve near Bakersfield, and listening to a resilient former student.  The process of writing the story was a bit like that of an accordion: I found myself writing pages, then cutting pages, writing additional pages, then cutting pages.  Earlier drafts included quite a bit of dialogue and further character development, which I later felt distracted from the central theme and character.  As with all my writing, I’m still not sure it’s done.


We wish the best of luck to each of these writers!

Meet Our 2017 Pushcart Nominees

We at The Tishman Review are proud to announce our nominees for this year’s Pushcart Prize. Because we are huge fans of all the work we publish in our journal, it is always a challenge narrowing down our list of potential nominees. However, we believe the writers listed below represent some of the finest work we’ve published this year.

Keep reading to learn more about these promising writers!

Emma Wunsch

emma wunschEmma Wunsch was nominated for her short story “Looking for Cat Stevens,” which appeared in our July issue this year. Emma has an MFA from Brooklyn College and is the author of the young adult novel The Movie Version.  Her short stories have been published in a variety of journals including Passages North, The Best of the Bellevue Review, Lit, J Journal, and The Brooklyn Review. She lives and works in New Hampshire with her family. Her website is emmawunsch.com, and she’s on Twitter @emmawunsch.

Who was the first person you told about your nomination?

All of the people in my house had already gone to bed so the first person I told about my nomination was my dog Ruby. She was sleeping on the couch, but I gave her a pet and said, “My story got nominated for a prize!” In the fictionalized account, she would’ve grumbled that she was offended by the word cat in the title, but in reality she just continued to sleep. 

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Alysse Kathleen McCanna

alysseAlysse Kathleen McCanna was nominated for her poem “It’s Not Like the Movies,” which appeared in our January 2017 issue. Alysse is currently pursuing her PhD in English at Oklahoma State University. She is Associate Editor of Pilgrimage Magazine and received her MFA in Writing and Literature from Bennington College in 2015. Her work has appeared in or is forthcoming from poets.org, Lunch Ticket, Barrow Street, Boulevard, Midwestern Gothic, and other journals. She lives in Stillwater, OK, where she and her fiancé bask in the heat of the prairie and tend to their growing menagerie.

How did you celebrate your nomination?

 I celebrated my nomination by pouring a glass of wine and then sending out more poems.

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Kim Noriega

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Kim Noriega was nominated for her poem “Postcard to My Younger Self Beneath the Apple Trees,” which appeared in our January issue. Kim is the author of Name Me published by Fortunate Daughter Press. Her poetry and nonfiction have appeared in journals and anthologies including: American Life in PoetryParis-Atlantic, and Split Lip. She was a finalist for the Edna St. Vincent Millay Poetry Prize and the winner of the San Miguel Literary Sala’s 2017 Flash Writing Contest Nonfiction Prize. Kim lives in San Diego where she heads San Diego Public Library’s family literacy program.

Who was the first person you told about your nomination?

Actually, the first “person” I told that I’d been nominated for a Pushcart Prize was my Calico, Sundari, since she was trying to sit on my keyboard while I was trying to read my email. She was quite excited to hear the news as evidence by her exuberant “Meow!” Or she wanted me to quit reading my email and pay attention to her. Then, I called my husband, who was excited for me too.

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Karla Van Vliet

TishmanTenKarlaVanVlietKarla Van Vliet was nominated for her poem “If My Body Were a Country Meadow Edged by a Shadowed Wood,” which appeared in our January issue. Karla is the author of two collections of poems, From the Book of Remembrance and The River From My Mouth, published by Shanti Arts.  She is an Edna St. Vincent Millay Poetry Prize finalist and a Best of the Net nominee. Her poems have appeared in Poet Lore, Green Mountains Review, Cronnog Magazine, and others. Her chapbook Fragments: From the Lost Book of the Bird Spirit is forthcoming from Folded Word. Karla is a co-founder and editor of deLuge Journal. She is an Integrative Dreamwork analyst, artist, and administrator of the New England Young Writers’ Conference at Bread Loaf, Middlebury College. Karla lives in Bristol, Vermont.

What were you doing when you found out you’d been nominated for a Pushcart?

I’m scrolling down through my email inbox, with its 1045 out of 5257 unread messages, highlighting emails to trash. I’m just keeping my head above water here, so many emails from stores I once bought a now forgotten item from but must have been, silver wire, clothing, vitamins, boots, or books. I’m hounded here by the consumerism of my life; it’s not a good look. I want to quickly sweep these reminders under the rug and keep only important emails to peruse at a later time, no time now, really, I’m just putting off sleep.

I notice another kind of email here as well, that’s the one that says it’s from _____ ______, (insert name I might recognize) but upon closer inspection is the DCCC or a nature conservatory writing to tell me the state of the world is bad and if I don’t send money soon all will be lost. So, I’m a little put off, it’s late and I’m about to go to sleep, the end of the world is nearly the last thing I want to hear about. I would, after all, like a good night’s rest.

And then I see the subject line “Re: Pushcart Nominee Announce…” highlighted in messages I’m set to delete, my curser hovering over the little garbage pail. I pause.

I un-highlight the message, open it. At first I don’t understand the leading sentence “We at The Tishman Review are pleased to announce you as our 2017 Pushcart nominees.” I think, “that sentence seems strange.” And then I read “Congratulations!” And it dawns on me, the obvious at this point, I’m one of the nominees! Wow! Wait? What? Wow!

Thank God for pausing, I always say. And for a heart that can switch from grumpy and tired to oh-so-touched as fast as a horse coming around a barrel. Because my heart is full of gratitude and I graciously thank The Tishman Review for their support and the honor to represent them as nominee.

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Alysia Nicole Harris

21688398_1845654212118875_774305517422980032_oAlysia Nicole Harris was nominated for her poem “Exegesis” (with a line from Richard Siken), which appeared in our October issue. Alysia is a performance artist, poet, and linguist.  She has performed at the US Embassy and at the United Nations and has toured nationally and internationally for the past eight years.  Alysia has been featured on HBO, Blavity, Shine for Harriet, and Nylon Magazine, and her work has appeared in Best New Poets, Indiana Review, Callaloo, and Solstice Magazine, among others. She lives in Atlanta and serves as managing editor at Scalawag Magazine.

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Judith Alexander-McGovern

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Judith Alexander-McGovern was nominated for her short story “Death with Dignity,” which appeared in our October 2017 issueJudith’s short stories have been published in Alligator Juniper and The Timberline Review. She has an MA in Latin American Literature and flirted briefly with a PhD in Medieval Spanish Literature before realizing she would someday have to make a living. Succumbing to the siren call of finance, she spent thirty-four years in banking, including stints as a money market trader, portfolio analyst, and regulatory reporting manager. Liberated by retirement, she has returned to a life of the mind. She lives in Seattle with her husband and the untarnished memories of several exceptional cats.

What was your reaction to finding out you were nominated?

My reaction to my nomination mirrors today’s multiple platforms for communication. The first person I told was my husband, who was sitting 20 feet away in the den. Next, I texted my librarian friend in Idaho. A little while later I emailed my youngest son in New York. Not long afterward I told my writing groups, in person and through email. I have, however, managed to refrain from sharing the news with random passersby!

Pen/Robert J. Dau Short Story Prize for Emerging Writers 2017 Nominees

We at The Tishman Review are excited to announce our nominees for the  PEN/Robert J. Dau Short Story Prize for Emerging Writers. The prize “recognizes twelve emerging fiction writers each year for their debut short story” and “aims to support the launch of their careers as fiction writers.”

It is always an immense honor to be able to bring a writer’s debut work into the world. We are pleased to recognize these talented emerging writers with our nomination.

Without further ado, meet the 2017 nominees!

Lacey Brummer, nominated for her story “Sunset Orange,” TTR 3.3

Lacey_BrummerLacey Brummer is a Nebraska farm girl currently living, working, and writing in Manhattan, Kansas. She received her B.A. in English from the University of Nebraska at Kearney in 2013. As an undergraduate, she was a three-time winner of the Paul and Clarice Reynolds creative writing scholarship, including one first place and two second place awardsShe received her MA in English from Kansas State University in 2015. Her creative and critical work appeared in student publications at both universities. The short story “Sunset Orange,” which first appeared in The Tishman Reviewwas her first professional publication. 

Emily Everett, nominated for her story “In an Emergency,” TTR. 3.2

IMG_2398 finalEmily Everett studied literature, language, and music at Smith College and University College London. She received her MA from Queen Mary University of London, and studied creative writing at Birkbeck University of London. Her work has appeared recently in The Tishman Review and online for Take Magazine. She is managing editor of The Common in Amherst, Massachusetts.

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Best of the Net 2017 Creative Nonfiction Nominees

In the final installment of our Best of the Net 2017 nominees, we are pleased to nominate the following pieces and writers for their work to be included in the Best of the Net Anthology, a project of Sundress Publications.

Sara Alaica, nominated for her creative nonfiction piece “The Iron Gates” TTR 2.4

015-3494126652-O-Sara Alaica is a citizen of the world and a nomad. Her work focuses on her experiences growing up in Serbia and living abroad in Asia, Europe, and the US. Her work has been featured in Vela and Cleaver, among others, and her first book, Kula, a Serbian-language novel, was published in Belgrade in 2014. She is currently working on her second novel set in Yugoslavia during the 1960s. She blogs at saraalaica.com

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Haili Jones Graff, nominated for her creative nonfiction piece “A Salvage-Yard Reunion” TTR 2.4

HailiJonesGraffHaili Jones Graff is a writer, editor, and performer living in Portland, Oregon. She is a contributor to Bitch magazine, and her more literary writing has appeared in The Notebook: A Progressive Journal for Women & Girls with Rural and Small-Town Roots and online at Luna LunaThe Manifest-Station, and Hip Mama. She also performs with Mortified Portland.

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Best of the Net 2017 Fiction Nominees

We are beyond delighted to nominate the following pieces and writers for their work to be included in the Best of the Net Anthology, a project of Sundress Publications.

René Houtrides, nominated for her fiction piece “The Ride of Her Life” TTR 2.4

Rene HoutridesRené Houtrides was born and raised near Manhattan’s Chinatown and Little Italy. Her stories have appeared in The Georgia Review, New Ohio Review, Crack the Spine Literary Magazine, Mississippi Review, Carve Magazine, and other publications. Her story “Knife, Barn, My Harvey” was included in The Georgia Review’s Spring 2011 retrospective of the finest short stories from the past 25 years, and her story  “Workers in Trees” was included in the print anthology of the best Crack the Spine Literary Magazine stories of 2013. She was a staff writer for the Woodstock Times, and her weekly sports column, for the same newspaper, received a First Place New York Press Association Award. Her personal essays have aired on public radio. Her play Calamity Jane was produced in New York City. She holds an MFA in writing from Bard College and is currently on the faculty of The Juilliard School’s drama division.

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Rick Hoffman, nominated for his fiction piece “Biyanî” TTR 3.2

Rick Hoffman is a high school English teacher. His stage play, The Rocky Road to Dublin, won the Huntington Village Theatre Company’s contest for Long Island playwrights in 2003. He is the author of the novel The Devils That Haunt You, and his short fiction has appeared in The Dead Mule School of Southern Literature and Driftwood Press, where he has also served as a guest editor. His upcoming work is scheduled to appear in the December 2017 issue of Edify Fiction. He lives with his wife and sons on Long Island, where he is writing his second novel.

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Best of the Net 2017 Poetry Nominees

It is our immense pleasure to nominate the following pieces and writers for their work to be included in the Best of the Net Anthology, a project of Sundress Publications.

PARTRIDGE BOSWELL, nominated for his poem “Flying home after the protest” TTR 3.1

Partridge Boswell Mt Battie DSC_0586Recipient of this year’s Edna St. Vincent Millay Poetry Prize for his poem “Flying home after the protest,” Partridge Boswell is the author of Some Far Country, winner of the Grolier Poetry Prize. His poems have recently surfaced in The Gettysburg Review, SalmagundiThe American Poetry ReviewGreen Mountains ReviewHayden’s Ferry Review, and Forklift, Ohio. Co-founder of Bookstock literary festival and the poetry/music group Los Lorcas, he teaches at Burlington Writers Workshop and lives with his family in Vermont.

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LISA MECHAM, nominated for her poem “Trespassing”  TTR 2.3

Lisa Mecham Lisa Mecham writes a little bit of everything and her work has appeared in Amazon’s Day OneCatapult, and The Collapsar, among other publications. She has served as an editor, advisory board member, and reader for various literary magazines, and as a social worker, she writes grants for social justice oriented non-profits.

A Midwesterner at heart, Lisa lives in Los Angeles with her two daughters where she’s finishing a book about mental illness in the suburbs; think: “The Shining” meets “Revolutionary Road.”

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ALYSSE McCANNA, nominated for her poem “It’s Not Like the Movies” TTR 3.1

alysseAlysse Kathleen McCanna is currently pursuing her PhD in English at Oklahoma State University. She is the Associate Editor of Pilgrimage Magazine and received her MFA in Writing and Literature from Bennington College in 2015. Her work has appeared in or is forthcoming from poets.org, Lunch Ticket, Barrow Street, Boulevard, and other journals.

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KYLE ADAMSON, nominated for his poem “Retrograde” TTR 3.2

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Kyle Adamson has an MFA from the Bennington Writing Seminars and a BFA from Hamline University. He is the winner of the AWP Intro to Journals Award in poetry, a Pushcart nominee, and a finalist in the Consequence Poetry Prize. His work can be found in the Water~Stone Review, Alaska Quarterly Review, the Beloit Poetry Journal, and others. He served in the Marine Corps infantry and deployed twice to Iraq. Kyle lives in Minneapolis, Minnesota.

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ADRIAN POTTER, nominated for his poem “RX for the Blues” TTR 3.1

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Adrian S. Potter writes poetry and short fiction. He is the author of the fiction chapbook Survival Notes (Červená Barva Press, 2008) and winner of the 2010 Southern Illinois Writers Guild Poetry Contest. Some publication credits include North American Review, Jet Fuel Review, Obsidian, and Kansas City Voices. He blogs, sometimes, at http://adrianspotter.com/.

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Adrian S. Potter | Writer Website

KIM NORIEGA, nominated for her poem,Postcard to My Younger Self Beneath the Apple Trees” TTR 3.1

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Kim Noriega is the author of Name Me published by Fortunate Daughter Press. Her poems have appeared in journals and anthologies including: American Life in PoetryParis-Atlantic, and Split Lip.  She was a finalist for the 2016 Edna St. Vincent Millay Poetry Prize, and a semi-finalist for the 2016 James Baker-Hall Memorial Prize in Poetry. Kim grew up in Cleveland, Ohio and still loves apple-blossom showers in spring and Vera’s Bakery at the famous West Side Market for Hungarian nut roll at Christmas. She lives in San Diego where she heads San Diego Public Library’s family literacy program.

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